How to Write a College Essay:
Telling Your Standout Story
This is a complete guide — about 20 minutes to read straight through. If you're in the middle of application season and don't have 20 minutes, start with the Nine Things That Matter Most, then come back to the sections you need.
Learning how to write a college essay is the part of the application most students dread — and the part they have the most control over. This guide walks through the entire process: who's actually reading, when to start, how to find a topic worth writing about, how to draft it in five passes, and how to handle the supplemental essays that follow. Everything below comes from more than a decade of guiding students through it.
What's In This Guide
Start Here: The Nine Things That Matter Most
Short on time? Read this one.
Before You Start
Choosing a Topic
- What Not to Write
- The Two Traps: "Daddy Did It" and "AI Did It"
- When a Real Struggle Belongs in the Essay
- Finding Your College Essay Topic
Writing It
- How to Write a College Essay in Five Drafts
- Details Are the Whole Game
- Real Essays That Won Admissions
Supplemental Essays
Finishing Up
Start Here: The Nine Things That Matter Most
If you read nothing else, read this.
- The essay is the part you can still control. Grades are set. Test scores are set. The essay is the one piece of the application you can still make excellent between now and the deadline.
- Your audience is a 20-something reading fast. Application readers are often recent graduates. Surveys suggest they spend well under 15 minutes on an entire application — transcript, resume, scores, and essays. Write for a reader who is skimming — first and last sentences of each paragraph matter.
- The best essays are about ordinary moments. Think self-reflection rather than drama: a student's response to an embarrassing moment at a restaurant job, or an extended family making tamales in a crowded kitchen. Of course, if you have had a meaningful experience that was also dramatic, that works too.
- Show the talent stack, not the resume. Colleges already have the list of activities. What they don't have is evidence of the strengths you developed and what they'll bring to campus. How did you develop them? How did you grow from challenging experiences?
- Start the summer after junior year. Aim to finish the main essay before senior year begins. If you're starting later, that's fine — start exactly where you are and prioritize.
- Schedule the writing. An hour and a half to two hours a day, six days a week. Writing routines are what professional writers do. They work.
- If the essay covers a hardship, follow the 25/75 rule. No more than a quarter on the struggle. Three quarters on what came after — the strength, the growth, the evidence you've already navigated it and come out more resilient and capable.
- It has to sound like a teenager. Admissions readers spot adult writing immediately. There's an old story about a stamp reading "DDI" — Daddy Did It. The same now applies to AI-generated prose. Your voice has real value as a window into your personality. Trust it.
- Don't share the draft too early. Too many opinions at the start create stress and confusion. Wait until there's a polished draft, then share a PDF with a trusted adult for feedback.
Why the College Essay Matters
Colleges can't interview every applicant. They don't have the staff or the hours.
So the personal essay does that work instead. It's the window into who you are as a human being, past the numbers and the lists.
Here's why this is good news for your family. Most of the application is already decided by the time a student sits down to write. The GPA is what it is. The scores are what they are. But the essay is fully in your hands — and a genuinely good one can lift up an entire application.
Colleges are asking one question underneath all of this: what character traits, strengths, experiences, background, and quirks will this student contribute to our community? Everything in the essay should answer it.
Who Is Actually Reading This
You should not picture a tenured professor or a department head.
Picture someone a few years out of college, reading their two hundredth file of the week, moving fast.
That changes how you write a college essay. The essay needs to be punchy and focused. First and last sentences of paragraphs carry the weight, because readers skim. Don't bury the point three paragraphs in.
It also means you can assume some generational common ground. These readers might be closer to your age than to your parents'.
When to Write
The ideal time to write a college essay is the middle to end of junior year through the summer before senior year.
Finish at least the main essay (and preferably all the essays) before school starts again. Senior year brings coursework, activities, deadlines, and the supplemental essays — you don't want the personal statement competing with all of that.
Try to be done with summer jobs, programs, and family travel by July 31st. The Common App updates August 1st, and that first week or two of August is when you will want to check for changed prompts and complete college-specific questions.
Tip: over the years, only a small percentage of prompts have changed in August, so use last year's prompts, which you can find in the Common App after you create an account. This allows you to write the bulk of the supplemental essays in June and July.
If you're starting in the fall of senior year, no worries. The timeline compresses, and you prioritize. Start exactly where you are.
The schedule that works: an hour and a half to two hours a day, six days a week. Put it in the planner. Adhere to it. Students who schedule writing time finish; students who wait for inspiration might not.
What Not to Write
Some topics are simply harder to make fresh.
Common sports narratives. Injury recovery. What I learned from losing the big game. These are real and meaningful experiences — that's exactly why so many students write about them, and why readers see hundreds of them.
Mental health struggles, divorce, learning differences. Not because these don't matter. Because they're difficult to handle in 650 words in a way that reads as strength rather than risk. Colleges are run like businesses—if they invest in you they want that investment to pay off— so they are trying to reduce the risk of admitting a student who will struggle on campus.
The resume in paragraph form. Colleges already have the resume. Repeating it wastes the one section where you could have said something new.
Childhood. Examples should come from high school. Earlier years can be mentioned in passing, but a great deal changes between middle school and now, and colleges want to know who you are today.
The Two Traps: "Daddy Did It" and "AI Did It"
Admissions readers are trained to spot writing that doesn't sound like an eighteen-year-old.
There's a long-running story about a stamp an admissions office kept that read DDI — Daddy Did It. Whether or not the stamp was real, the instinct behind it is. Overly polished, adult-sounding prose reads as inauthentic, and it costs students their spot in a college's freshman class.
The same now applies to AI. Colleges use detection software, and readers are also simply watching for writing that doesn't sound like a person. If you use AI at all, use it for brainstorming only. The words on the page need to be yours.
Follow your high school's policy and check the policies of the colleges on the list. When in doubt, take the more cautious approach.
When a Real Struggle Belongs in the Essay
Sometimes a significant challenge is genuinely central to a student's story, and leaving it out would feel dishonest.
That's legitimate. But tone and structure become critical.
Colleges are asking whether a student will thrive far from home. One admissions dean described the students she turned away every year — strong grades, glowing recommendations, beautifully written essays about real pain — because she couldn't answer the question: will they be okay here?
Institutions are not risk-takers. So the framing matters enormously.
The 25/75 rule. No more than a quarter of the essay describes the difficulty. Three quarters covers what came after — what you did, what you learned, what strength you now carry.
Position it in the past. Something that happened to me, not something that is happening to me now. Past tense signals perspective and resolution.
Done well, these essays become a real asset. Every student will face difficulty in their four years of college. A student who has already navigated something hard and can show what they took from it is demonstrating exactly the maturity colleges want.
Finding Your College Essay Topic
Start With the Talent Stack
We have found over the last decade that, for most students, the best way to write a college essay is to start not with the prompt, but with who they are. Starting with the prompt might limit your creativity, and remember that you always have the "topic of your choice" option to fit your essay into.
Your talent stack is your particular combination of strengths — the mix that makes you useful to a community.
Build it from three places. The results from an aptitude and interests assessment, identifying terms that describe you. Your own self-reflection. And conversations with people who know you well.
That last one is worth pushing on. Ask friends, teachers, and family: what do you think about when you think about me? At first this might feel awkward, but most students take precious information from these conversations. The outside view catches things you might overlook or undervalue.
Aim for strengths across three categories: personal (determined), social (collaborative), and mental (a natural researcher).
Then Look for the Story
The strongest essays reveal three to five aspects of the talent stack. A story that shows only one strength tends to feel thin.
Think in terms of before and after. What changed? Where did you grow, even if the change wasn't dramatic from the outside?
Many students insist their lives are boring and they have nothing to write about. This is almost always because they are so familiar with their experience that they don't see their potential for a standout essay. We suggest you imagine a short film about one specific moment in your life. It doesn't need to be a thriller. It needs to show growth.
The Elevator Pitch
Before drafting, you should write one sentence containing the actions you took, the strengths those actions built, and why it matters going forward.
Something like: Through my internship with an environmental group, my climate activism, and my research on biodegradable packaging, I developed the determination, communication skills, and scientific knowledge I'll need to help address global warming.
That sentence becomes the anchor for every draft that follows, although it rarely shows up in the essay word for word. It's a way to clarify for yourself the main theme and examples you want to include.
Not sure what to write about yet?
Get the College Essay Brainstorming Workbook, plus a step by step video on how to use it.
- Prompts that surface your talent stack
- A path from a list of moments to one story
- A video walkthrough, page by page
College Essay Brainstorming Workbook
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How to write a College Essay in Five Drafts
Five drafts. Each one has a single job.
Draft one — content only. Write badly on purpose. Get every idea and example on the page. Don't worry about word count; twice or three times the limit is normal here. The only real mistake at this stage is trying to be perfect, or letting an adult write it.
Draft two — structure. Reorganize so the thesis is visible. A few structures that work: the narrative that follows events chronologically, a dramatic opening moment followed by the narrative in flashback, or chapter headings marking key moments (using the montage approach and adding titles for each section). In rare cases, the 4-5 paragraph essay works, but that is an exception (this structure works best for more academic essays). After you have chosen the structure, try several different beginnings and endings and see which lands.
Draft three — cut. Remove anything that doesn't serve the elevator pitch. Get to 650 words or under. And where an idea sits unsupported, add an example to illustrate your point.
Draft four — line edits. Grammar, spelling, sentence structure, flow. Read it aloud — clumsy transitions and repeated words become obvious when you hear them. Highlight repeated words and find better ones.
Draft five — polish. Creative touches. Final tightening. Set the bar high here.
Then let it rest. A few weeks if possible. Fresh eyes catch things tired eyes can't.
Details Are the Whole Game
Every claim needs an example. This is the single most common gap in student drafts.
Compare: Volunteering has been meaningful to me.
And: I'll always remember Thanksgiving morning, plating mashed potatoes next to Nicole, who'd come to the center for a hot meal like everyone else — and then saw a chance to help and refused her own plate until everyone was served.
The first one asks the reader to take your word for it. The second one works because you draw the reader into your experience with details.
The same principle applies to describing people. Don't tell the reader your grandfather works hard — show the dirt under his fingernails.
There's a teacher and cross-country coach I know, relentlessly positive, the kind of person who fills a room. You could spend a paragraph on him. Or you could use what his neighbor said when asked what he's like off the clock: "He dances when he mows."
That's it. You see him now.
We encourage you to hunt for that detail. One dynamic detail beats three paragraphs of description.
Real Essays That Won Admissions
Reading finished essays is the fastest way to see what "shows growth" actually looks like on the page. Below are twelve real personal statements, each followed by a note on why it works. Open any one to read it in full.
Essay 1 The P in My Name Perfectionism, family expectation, and a school musical
The P in my name stands for Perfection.
At least, that’s what 13-year-old me believed.
I was the eldest daughter of immigrants. The child of survivors who fled genocide, crossed oceans, and rebuilt their lives from scratch. The least I could do was make those sacrifices “worth it.” Get the grades. Win the awards. Be the example. Get the college degree they never could. The pressure wasn’t loud, but it was always there. A pulse beneath every test score, every group project I led as class president, and every moment I told myself, “You don’t get to fail. Not when they gave up everything so you could succeed.” I wasn’t just chasing success for myself. I was trying to justify their pain, their sacrifice, and their hopes, trying to make it all worth something.
So, I kept my head high and continued being the perfect student. The dependable daughter. The role model for my younger sisters. I thought that was what strength looked like. I thought that was what it meant to honor where I came from. Yet even while desperately trying, I never truly felt the fullness I was chasing.
Then came my aunt and two surprise tickets to see Mary Poppins the Musical.
Walking into it, I expected to hear some cliché songs about imagination and childlike wonder, two things I had long since left behind. But funnily enough, it was exactly what I needed to be reminded of. As the performance drew to an end, the song, “Anything Can Happen if you Let it,” started to play. As the lyrics filled the theater, it felt like the universe was speaking directly to me. Offering a challenge: “What if you just let go? What if there’s more to life than being perfect?” As the curtains closed, I realized what I’d been too afraid to admit. I wanted more. Not just success, but fulfillment.
So, I auditioned for my own school’s musical the next month, and to my surprise, got a role.
It was a small one, but still. I was terrified. I had no experience, just years of dancing alone in my room and singing karaoke when no one else was home. But, as overwhelming as the fear was, my need for change was even greater. And change is exactly what I got. Performing, though scary, felt natural. It felt like finally acknowledging a part of myself that had been repressed. When I was younger, I was so sure of who I was. I boxed myself into being “the smart one” because it felt secure. But through theater, I slowly discovered a new side of me that had been dying to get out. For once, I wasn’t performing for approval, but for the pure joy of just being. It didn’t matter that it didn’t add to my academic résumé. It added something deeper to my life. Something I hadn’t realized I’d been missing.
Theater taught me what I had been blinded to for so long. That it’s okay to take up space, and to be seen not only for what you achieve but for who you are. I stopped holding myself back and started embracing the fullness of myself. Both the academic and the artistic, the dutiful daughter and the dreamer. I stopped treating my family’s story as something to repay and started treating it as something to expand.
I’m still the firstborn child of immigrants. I still carry the weight of generational sacrifice. But I’ve redefined what that means. It’s not about being perfect, it’s about being whole. I’ve learned that honoring my roots doesn’t mean suffocating under their expectations. It means living fully, loudly, and joyfully, so those who came before me can finally rest knowing their struggles weren’t just for my survival, but for my enrichment.
Now I know that the P in my name stands for Passion.
643 words
Essay 2 Grindset Losing the drive, then finding a real one in speech and debate
There’s something satisfying about a “grindset.” Fighting an uphill battle, climbing the down escalator, mashing a puzzle piece where it doesn’t fit. Blacking out from nerves every debate round.
Well, maybe not that last one, but you couldn’t tell me that during my first two years of high school.
I was proud of the Lincoln Douglas grind: a high-intensity 1v1 competitive debate. I’d found success by sophomore year, but wanted to prove myself as a female role model, a girl excelling in a male-dominated activity.
Except, when junior season came around, I just…didn’t care.
Don’t get me wrong, I still loved the team and the activity, but the rigid structure didn’t entice me anymore. Debate preparation—once exciting—began to feel like a chore. I wasn’t passionate about assigned topics like America’s housing infrastructure; any creativity I had felt stifled. Even when I succeeded competitively, it felt like something inside me couldn’t breathe. I tried to muscle my way through (after all, my family’s motto is “Smiths don’t quit,” and as an adopted daughter, I felt chosen to fulfill that legacy), but as time went on, no matter how machine-like and efficient I was, it became increasingly clear that this one gear didn’t fit.
Had my initial interest in debate had actually just been the pressure I felt to defy a stereotype, to prove myself? Had I simply wanted a place in a new school to belong? This was no minor extracurricular stumble, I could feel myself being stripped of my type-A, hyper-perfectionist badge of honor. What did it mean that I couldn’t just…do it? Worst of all, if Smiths never quit, what kind of Smith was I?
Finally, through a mess of tears, I blubbered to my parents, “I don’t think I can do debate anymore, I just…can’t. Something has to go.”
I felt small, terrified, and absolutely lost.
But then my parents reminded me of what it really meant to be a Smith.
“Never quitting doesn’t mean blindly chopping through life,” my mom said. “It means always applying yourself, and adapting when things are difficult.”
She asked me a question so simple and trivial it would have been funny…if it hadn’t completely stumped me at the time.
“What do you want to do?” she asked.
I took a good look at myself. I thought about my love for writing, my appreciation for whimsy and comedy, and my interest in deep analyses of societal phenomena. Suddenly, I had my answer.
I approached my debate coach a few days later. “I want to do Speech,” I announced. “Original Oratory.”
My whole world opened up. Again, I could breathe. Immediately, I got to work writing a speech on the Manic Pixie Dream Girl archetype in film: an eccentric character whose only function in the plot is to aid the male protagonist, and whose representation in media has a tangible impact on the development of women’s identities. The activity felt like an extension of myself, and my beloved “grindset” became positive and productive. Tournaments became exciting opportunities. Time I used to spend scrambling for arguments turned into time I spent memorizing observations and jokes.
More personally, all of this resulted in a true metamorphosis. I’d come to fear that my babbling excitement had become annoying, and so had stopped expressing myself outside the bounds of normal teenage conversation. I hadn’t realized how much I missed being nerdy (and a little corny), until I began to win national awards for being a dork! I am still a Smith through and through, which means I don’t quit, but I also know how to apply my strengths and optimize my efforts. Most importantly though, I recognize that there will always be times when a gear doesn't fit, and that, rather than forcing it, I can use those opportunities to adjust, and still stay true to myself.
After all, I am far more than just a well-oiled machine.
Names have been changed for privacy.
650 words
Essay 3 The Jewelry Box Ballerina One extended metaphor carrying a whole family history
My little fingers frequently traced the golden lace framing the rectangular jewelry box I’d inherited from my mother, its velvet inside still faintly stained with her perfume, and the mirror reflecting the home she left behind in Belarus. At its center, a porcelain figure skater anchored at the toe, and delicately made for this purpose—to spin—until she was interrupted, and crushed under the weight of the glass lid. But even then, I saw, she kept her composure. The perfect little figure skater. She didn't shatter, patiently waiting to spring back up and resume her perfect rotations.
Along with my mother’s jewelry box, and a thin Russian accent, my inheritance also included 23 American dollars my grandmother gifted my dad upon their arrival at the O’Hare Airport with nothing but fear and suitcases full of priceless Belarusian porcelain and crystal glass (my grandmother couldn’t sell her porcelain before leaving: people couldn’t even afford to buy bread). To me, they were priceless symbols of the sacrifices that allowed me to fearlessly create my own opportunities and forge a bright, potential-filled future.
That, I came to realize, was my true inheritance. The possibility of an American life, blessed with the chance to create my own opportunities, even as a teenager—from being able to contribute to neurocognitive research or raise tens of thousands of dollars to combat hunger.
And so, in honor of this inheritance, like my porcelain skater, I too spun faster and faster, fueled by excitement and curiosity, feeling burdened by the weight of my family’s struggles as they cracked under the pressure of a new life. I pushed myself to spin faster, to make up for what was broken, to be the perfect daughter. Proud of how fast I was able to reassemble the shards that others broke, I gave up parts of myself to make up for pieces of our family that went missing in the process. I was proud of how naturally I became the porcelain skater—precise, focused, resilient under pressure.
I became her in a literal sense too, with every new pair of skates and competition trophies, stretching myself in all directions, testing the thickness of my bones and the tolerance of my body. I took pride in how quickly I was able to spring back up despite the lid of life’s challenges. I was proud of the bruises I got from falling on early-morning ice, proof that I was able to rotate without hesitation and to fall without fear—living without pause.
This fearlessness, I realized, was a gift too—another piece of priceless inheritance that the porcelain figure skater and I shared. Hers came from a golden spring hidden beneath her blade; mine came from absorbing the silent rhythm of my mother's strength. I saw the way life—especially the emigration from Belarus—chiseled my mother’s shape, and I admired the grace with which she endured. In watching her carve herself, I unknowingly carved myself too, allowing the force of her resilience to press into me. Now, when I see myself in the mirror of my jewelry box, or down at my blades, I recognize her in the shape of my own edges.
Just like my porcelain skater, I learned to anchor myself on my blades’ toe. While the resilience and love-for-life I inherited from my mother is my spring, my dad’s words serve as my blades’ anchor. “Имей совесть—hold on to your moral center,” he told me, “think of others.” This carved-in sense of consideration for every person forces me to slow down. It allows me to simultaneously embrace and forgive the little porcelain figure skater inside of me—forgive her for sometimes stopping her endless rotations, and for supporting others over the endless chase to be perfect. Instead, she and I will choose to always remain honest and genuine with “открытой русской душой—open Russian soul” that freely spins toward new possibilities, while never losing count of their blessings.
649 words
Essay 4 Lake Windham A rescue at camp, told as a dramatic scene with a flashback
It was an overcast and humid afternoon on Lake Windham. The clouds were dark and heavy, but the kids were still playing in the water. Suddenly, we heard muffled cries and saw the overturned kayaks. That’s when I realized I had to save their lives. As a lifeguard and counselor at Camp Silver Birch in New Hampshire, it was now my responsibility to protect these 6 to 8 year olds. Over the next five weeks, apart from being a lifeguard, I developed the communication skills, compassion, and patience that made me into a more confident leader.
First, I realized I had to lead by example, teaching my kids to take responsibility for their actions, respect property, and communicate effectively. Being a role model made me more aware of my own behavior. If I expected the kids to perform an action correctly, even with something as simple as brushing teeth, it was up to me to show them how to do it. I also modeled how to communicate constructively with others, respect others’ privacy, and ask for help. I came to understand that speaking up is essential in a crisis and listening is important in a situation where two people feel as though their position is right. When 7 year olds Patrick and Liam were fighting over a lacrosse stick, both claiming it to be theirs, I learned that talking to them in a calm voice was much more effective than raising my voice.
In addition to communication skills, I helped campers learn compassion through good sportsmanship and inclusion. During a tennis match, Nate lost six games to two and started to cry. I explained that by learning to lose in a positive way, you share the thrill of winning with your friends. I was happy to watch Nate grow over the next few weeks and see the kids embrace him whether he won or lost. Apart from good sportsmanship, I taught campers about inclusion. For instance, when a group of boys were playing Nok Hockey, and they did not allow another boy to join, I suggested they include everyone who wanted to play.
Finally, I helped my campers with their homesickness, which required patience. When Logan started crying after receiving a letter from his parents, I reminded him of all the fun he had been having at camp and how focusing on home would make him miss out on what was happening right now. After our conversation, Logan was able to immerse himself in camp and did not complain of homesickness for the rest of the summer.
The kids were eagerly awaiting our arrival near the kayaks. As we scooped each of them up into the rescue boat, their cries slowly dissipated, and we got them safely back. Through this and many other experiences as a counselor, I learned not only about how to save lives on the water, but I also strengthened my communication skills, compassion, and patience. I know these will be helpful in college for group projects, building friendships, and making thoughtful decisions when situations arise that require a level head. As a result, on campus, I can see myself becoming a dedicated RA, participating enthusiastically in a club sport, and being an active member in the campus Hillel. In all these situations, my goal will be to be inclusive, resolve conflicts, and foster an exciting and safe environment for everyone.
Names have been changed for privacy.
564 words
Essay 5 Just Like Miles A reflective essay built on one pop-culture connection
Throughout high school, my peers have often told me that I remind them of Miles Morales from Spider-Man: Into the Spider-Verse. I used to fight this notion, thinking they were talking about physical resemblance, but over time, I’ve come to realize that, in fully embracing “leaps of faith” in my own desire to grow, my classmates may have actually been onto something.
My parents immigrated from Nigeria in the early 2000s, exchanging Jollof Rice and pounded yam for unfamiliar dishes and unreliable international phone service, leaving them isolated from friends and family with only themselves to rely on. But patience, hard work, and ambition propelled them to success. Today, I can see that in order for me to leap, they had to fly. In that, my parents are like my Spider-Man mentors, passing down values that shaped who I am. But their journey gave me more than just the gift of my culture—it was also my spider bite, providing me the foundation I needed to become my version of myself.
Free-falling from thousands of feet in the sky, Miles takes his “leap of faith” by throwing himself into the role of Spider-Man. My “leap of faith,” though not literal, felt just as real.
While Spider-Man saves people from villains like the Green Goblin, I intend to protect their health as a physician. To put me on track to becoming the best physician I could be, applying to the residential Illinois Mathematics and Science Academy (IMSA) in my freshman year was an obvious choice. I saw the rigorous STEM curriculum that IMSA offered as a launchpad. But after actually being accepted, deciding to go was more difficult. After all, I had close friends at school, I was performing well in my honors courses, and I ate home-cooked Nigerian meals daily. The decision was hard, but just like Miles, I knew what I had to do.
So, I committed to IMSA, diving from the tower and falling into a headfirst dive. It felt amazing. But as I fell faster and faster, I could feel myself beginning to flail. Like Spider-Man, I felt like a solo act. As if it were my secret identity, I kept my full personality guarded under a mask, and loneliness crept in. While my academic drive remained intact, I wasn’t as connected with others as I wanted to be. But with the lessons of perseverance and dedication I carried with me, I found strength. I stopped flailing and leaned into the descent, angling myself with purpose.
Picking up speed, I started opening up, and with time, I was leading discussions during Muslim Student Association (MSA) meetings, pitching ideas, providing solutions, and organizing event logistics. I got loud on the basketball court, hollering after smooth lays, celebrating splashed three-balls, and playfully taunting my teammates in scrimmage matches. On the track, I started chopping it up with people I previously wouldn’t have said a word to, giving and receiving encouragement during grueling workouts. I even got more comfortable with the residents at the nursing home where I volunteered, engaging in long conversations over card games.
Descending closer to the asphalt, however, I faltered. Am I doing this right? I asked myself. Is this too much?
I quickly relinquished these feelings, sending webs up to the top of the building. I eventually rose to leadership roles, becoming the president of MSA and captain of the Varsity basketball team. I stopped worrying about how others perceived me, and instead decided to be the fullest, most authentic version of myself. My webs attached, and I swung into full control.
Now, I’m Spider-Man, with my own unique style. Swinging through the streets of Chicago, brimming with freshness and confidence, and now with a web of “spider-peoples” supporting me. My leap of faith helped me embrace the man I wanted to become, and I’m looking forward to every leap yet to come.
Just like Miles.
650 words
Essay 6 Four Chapters A montage of high school, one titled chapter per year
I. Paper Plate
I walk into my freshman year, naive, unprepared, and unfocused, handing in a hastily handwritten English short story. My peers have all typed theirs. I feel embarrassed but determined to become the good student I know I can be, so I decide to focus on the challenging courses my magnet school offers me. I find that I excel in Sci Tech, getting the first opportunity in my life to design and build a machine. The first assignment entails moving a paper plate as far as possible by blowing a fan on it. I tape a manila folder to the plate, and set the record for the farthest distance in my school’s history. Although it’s not quite rocket science, I am proud of this accomplishment, and it motivates me even more to engage in other subjects from electronic design to Shakespeare plays. My education takes its rightful place, and I never come to class unprepared again.
II. A Rescued Cheeto
It is my sophomore year, and I discover a subject that will change the way I view the world: chemistry. I used to understand reality as made up of solid objects, everything being shaped by people or existing for them. Then Beth, a former chemistry professor at our local college, agrees to mentor me, and I begin to see the world through a fresh lens. It is no longer shaped by people but by chemistry, which is why water becomes hot, why magnets attract, why cakes rise. My favorite experiment in class is in thermodynamics. I heat up the cheeto that I manage to save from being devoured, and I monitor the temperature as it comes in contact with a block of ice. Seeing the two objects reach equilibrium and knowing that this can be explained by chemistry thrills me. This shift in my world view allows me to discover my passion for learning, which makes me feel more alive than ever. The world seems filled with opportunities.
III. 1776
Junior year, I opt to take the hardest class my school offers, organic chemistry, even though I know my visual-spatial disability will put me at a disadvantage. At first I am blinded by pride, and weeks pass before I meet with the teacher to talk about the challenge I am facing. Then, every Tuesday till the end of the school year, I wake up early to meet with him. I realize I had viewed asking for help as a sign of weakness, when it is in fact empowering. I feel as if I have unlocked one of the secrets to success. My next discovery happens the summer after junior year, when I intern at 1776, a startup incubator in Philadelphia. My first day standing in the office kitchen, I feel very young and very lost as I look out at the vast cityscape, coffee in hand. After I attend business presentations and create my own pitch deck based on research, I feel I belong. I walk past colleagues on my last day in the office with confidence and look out on the now seemingly smaller landscape that is the city. It’s clear: I want to go into business. Through the internship, I have drawn my own conclusions as to what makes a company successful, and now it is time to learn more from college professors.
IV. To Be Determined
And what about my senior year? Throughout high school, I have learned to focus on what is most important to me, so the impact on my future will be positive. I have also discovered a passion for learning, that has strengthened me as a person and given me purpose. I have become more mature by realizing that being an adult doesn’t just mean having experience but also asking for help. As for this year’s theme, it is still to be determined.
Names have been changed for privacy.
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Essay 7 What Do You Love Most? A grandfather's question that redefined why he was working so hard
They gently wrapped a hospital blanket around my grandfather’s legs, the same legs that used to race me across the yard and kick soccer balls with more power than I thought possible. I sat beside him, unsure of what to say, and ashamed that it had taken me so long to slow down and truly see him.
I had spent so much time trying to make him proud by juggling AP classes, late-night study sessions, and early morning varsity practices that I forgot to be present. I assumed that report cards and game day wins could stand in for conversations and that these achievements could somehow fill the silence I had allowed to settle between us.
My parents finally informed me about his heart condition at age 13. They said they didn’t want me to worry, that I was too young to carry something so heavy. However, I wasn’t too young to feel guilty. While his health quietly declined, I was sprinting toward goals he might never see me reach. I was preoccupied with my GPA and stat sheets, trying to prove myself to colleges and coaches without realizing the time I was losing. The worst part wasn’t that I was unaware of his illness; it was that I hadn’t asked. I had been close enough to see the tiredness in his eyes and the slowing of his steps, but I never paused long enough to notice. That realization hit harder than any loss I’d ever taken on the field. Maybe I didn’t ask because I was afraid of the answer, and chasing success was the only way I knew how to feel in control of something that was never mine to fix.
In response, I pushed myself harder. I made the honor roll every quarter. I trained despite bruises and fatigue. I refused to miss a single practice or exam. I told myself that if I could be perfect and give everything I had, I could make things better. Each milestone felt strangely distant, like I was impressing a crowd that wasn’t even watching. In hindsight, I wish I had understood sooner that what he needed wasn’t a list of accomplishments, but a connection. I would have engaged in more conversations over competitions, spent more time with him, and focused on trying to prove myself over time.
Then one afternoon, as I helped him out to the porch for some fresh air, he asked me a question that changed everything. “What do you love most about your team?” Not how well I played or how many scouts were watching, just what I loved. I paused, caught off guard, and then told him about the pre-practice music we always played, the way we all laughed when someone tripped during warmups, the silence right before kickoff when it felt like the whole world held its breath. He listened with his eyes closed and smiled like it was the most important thing I’d ever told him.
That was the moment I understood, he didn’t care about a perfect grandson. He cared about me, just the real me. He was the one who found joy in the little things, who had stories to tell, and who just wanted to sit next to me. Since then, I’ve made him part of everything. I still work hard and pursue my goals, but I now bring him along. I tell him about my classes, but also about the weird, seemingly insignificant events that define my day. I show him my stats, but also describe the sunset on the walk home from practice. I’ve learned that showing up doesn’t mean showing off; it means sharing the moments that matter. As I advance to college, I plan to contribute to a community where authenticity matters just as much as ambition, and where connection is built through stories. In all college involvement, I will bring my whole self and focus on what matters.
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Essay 8 A Ball of Yarn One hobby traced out into service, leadership, and engineering
Picture a simple ball of yarn– seemingly formless at first, but once I tug at the tails, fiddle with each pull, the stitches translate into pattern—a basic code, a final project, an answer to a problem. Unformed material becomes three dimensional, functional. A single stitch dropped and the code is compromised—a tangled mess. Perfection in design, accuracy in execution. Only when you tie the last knot, when you snip the last yarn tail, have you finally succeeded. A seamless and aesthetic creation with the potential to change lives.
Over six years of crocheting, I have accumulated seemingly millions of yarn tails from hundreds of projects. Had I not seen the hefty nature of these piles, piles most people would mindlessly toss in the trash, I would not have realized that the final step in any creation isn’t the product, but instead carrying over the remainder—redefining utility. I soon started upcycling these yarn tails as stuffing inside my newer 3D crochet creations. It was this dual approach of creativity and upcycling that inspired me to found the Westlake Crochet Club (WCC) my freshmen year which has since grown to over 80 members. I use my skills and knowledge to teach my peers the language of crochet which in turn teaches the language of engineering and sustainability— an intersection of art and mathematics. I saw the joy and sense of accomplishment in their eyes when they learnt to successfully decode for the first time. What initially seemed to be a complex pattern of stitches on paper became a physical item. Seeing the power of this transformation motivated me to think about ways to broaden my impact and bring joy to people beyond the scope of my school.
I founded Build a Beanie (BAB)—a service project that provides hand crocheted warm beanies to communities in need throughout the Austin area. One of the first things I teach my students in WCC to crochet is a beanie. The elegant design prioritizes functionality while limiting complexity. Consisting of a simple rectangle folded into a cylinder which then gets cinched at the top. Beanies can be a fashion statement, a heartfelt gift, and a life saver during a harsh winter, which is why I built an entire program around them. As the founder and Lead Service Project Coordinator of BAB, I had the privilege to create a ripple effect: inspiring almost a quarter of my grade to crochet over 120 beanies that we donated to the Community First! Village—a 51 acre village created by the nonprofit Mobile Loaves and Fishes to provide permanent housing for over 400 residents who recently overcame chronic homelessness.
Crochet is a medium, a tool to forge something new. When I was little, my grandmother crocheted dresses for me. I would watch her, mesmerized by how she could transform a ball of yarn into an ornate outfit. It looked like magic to me. I wanted to learn how to be a magician too. It wasn't until later, when I founded BAB, that I realized that the magic I had longed for was actually engineering. I wasn't learning magic tricks, I was learning how to engineer.
What started as an ancestral tradition, perceived as sorcery by my youthful eyes, grew into a passion for engineering and innovation–a passion allowing me to combine my commitment to social responsibility and sustainability with the creation of meaningful solutions within my community. Each of these endeavors transformed me, acting as yarn tails would—becoming an extra layer defining my identity and fueling my vision of contributing to one of the most exciting technological eras of human kind—engineering novel solutions to today’s pressing problems, and conceptualizing accessible, compassionate, and inclusive technologies for the future. I believe that creativity plus compassion leads to innovation, and I cannot wait to engage with an academic community of curious individuals interested in changing the world in this way.
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Essay 9 Before I Could Use My Voice Arguing with a brother, then learning who policy actually affects
I've been debating since before I understood the meaning of the word. The usual opponent was my brother, Jonathan, who was more than happy to argue with me from sunup to sundown. But this was aimless, theoretical conversation. It was only when we joined a forensic speech league that I learned the difference between bickering and debating and in turn the difference between compassion and competition. Through my debate league and the community around it, I realized I could use my voice to fight for both ideas and people.
Before I could use my voice, however, I had to find it. Hours of arguing with Jonathan on the way we protect the rights of humans, how policy and action align when it comes to political change, and the way protest works in various contexts, showed me the empathetic approach my brother took to forming his worldview. Jonathan taught me to place people first. He taught me to look at any given scenario and identify what the people involved might be feeling and thinking, to put myself in their place and feel their pain, their oppression, or their need.
However, Jonathan’s empathy and compassion weren't enough to prepare me for the grueling schedule of competitive debate. Learning about various topics, competing in team policy preliminaries, and extemporaneous speeches, exposed me to a rigorous structure. Trying to maintain empathy while simultaneously trying to learn form and theory started to seem counterproductive. But, before I could give up, Jonathan reminded me that letting humanity lead was worth the work. My family and mentors pushed me to continue finding my voice in this changing environment.
At the beginning of the next season, although I knew the how was important, I focused on the why. I learned why each debate round mattered and prioritized the core points—which, almost always, was the humanity of those affected. This shift allowed me to brainstorm simple solutions to complex political problems because putting people's lives before actual policy removes confusion. Solitary confinement, doctor shortages, prison labor laws, and refugee pushbacks began to make sense when I focused on humanity.
Over the summer, my people-first practice became relevant outside of the debate club. I volunteered at a non-profit daycare serving a low-income community in Jackson, Mississippi. What this organization was actually doing was protecting human rights by ensuring equitable access to education. When I had a chance to speak with the leader of the organization, to discuss her “why” I saw that her determination to lessen educational and economic disparities started with people, not policy. Rather than focusing on whether the government should or shouldn’t pay for the program she focused on what the community needed and what must be done to meet that need. This experience broadened my perspective and highlighted the human suffering behind the abstract cases that, for some, might seem easier to debate in theory.
It was my brother, my family, my debate team, and my experiences with grassroots organizations like the one in Jackson, Mississippi that taught me about the responsibility that comes with having a voice. I used my voice to strengthen my community when working with a local congressperson to recruit a diverse voter base and promote civic engagement. I used my voice during hours and days of calling voters in order to strengthen the democratic process at the local level. I used my voice as a team member on a local campaign that sought to strengthen community ties through civic engagement. Now, I hope to continue using my voice in my college community as I aspire to engage in a lifelong commitment to standing up for others through a career in law. As I continue my journey, supporting underserved populations and ensuring that they receive the representation they deserve, I look towards college to empower my voice and humanity in order to safeguard others' rights.
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Essay 10 The Language of Infrastructure Construction sites, three countries, and who a city is built for
When I was little, my mom used to bring me to her construction sites. She worked as a project manager remodeling public schools in Washington, D.C. Back then, I didn’t know what lead paint, asbestos, or ceramic pipes were but my mom’s words had an impact on my worldview. She spoke to me as if I shared her experience, using the language of her industry.“We have to fix the water damage in the auditorium because there’s a tear in the roof membrane,” she would point out, “but it’s historical, so we are preserving the facade.” I inadvertently learned about energy-efficient HVAC systems, structural integrity, and site boundaries. I didn’t realize it at the time, but my mom was teaching me how to observe the physical world.
I first learned what rebar was when my mother pointed out the rusty steel bars on the underside of an overpass while we were stuck in traffic. She told me that patching exposed rebar is important because rust compromises the structural integrity of the concrete. As I got older her language became more familiar to me, and the wondering about words turned to curiosity—questions about the way infrastructure affects our daily lives. My mom’s observations became comforting to me, and in a way, her habits became mine.
I took these habits with me when I traveled to the countries my parents grew up in. Going to France to visit my father’s family was filled with abundant roundabouts, narrow streets, walkable cities, and high-speed rail systems. In Colombia, my mother guided me through the streets, pointing out the structural components of villages, towns, and cities. I learned how dependent the United States is on cars by observing the pedestrian bridges, the metro-cable that links hillside communities with the city center, and the extensive “ciclovias”— bike lane networks. These systems expanded my definition of how urban space could look, and made me wonder why each geographical location approached infrastructure from such a different angle.
I realized that each country has its own set of values, and those values guide how they solve problems. I also realized that while the infrastructures they choose in the physical world demonstrate those unique values and priorities, they also demonstrate something else: the separation of socioeconomic classes. Colombia was the first place I saw a pedestrian bridge over a major highway, but it was also the first place I saw a gated community with armed security, reflecting the vast financial inequality and struggles with violence the country has faced. These observations led me to start looking at infrastructure from an angle of imbalance.
It was a harsh reality check to notice how my favorite blocks, with their Sweetgreen, Lululemon, and farmer’s market, use hostile architecture meant to discourage access to the nearby strip mall, with the Chinese supermarket and the Goodwill. I’ve now noticed that the same rusting rebar my mother used to point out is usually an indication of a less wealthy area, rarely visible in the more well-off parts of town. Seeing inequality in the built world inspires me to create the change required for a more equitable approach, one that provides safety, opportunity, and connection, the way I once imagined it did.
I have had the privilege of seeing the infrastructure around me from all angles—the good, the bad, and the ugly—and I have been able to see what works and what doesn’t. The first step to change is observation and identification of problems: already in the works. The second step, understanding causes and correlations, looking outwards to past solutions, testing out ideas, financing construction, implementing effective changes: getting there. I don’t yet know everything there is to know about traffic, infrastructure, society, or concrete, but the more I learn, the more determined I am to study civil engineering and design systems that serve people equitably—following in my mother’s footsteps, with her tools and my own.
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Essay 11 Aytos A village in Bulgaria, four languages, and the story only she can tell
Isolated in Aytos, a ghost town located in the mountains of Bulgaria, I grew up with four neighbors, five chickens, and one shop. At just six years old I was expected to work at my father’s corn stand to make ends meet. And Bulgarian, the language I spoke, encapsulated the limiting and traditional, ethno-centric values I was raised with and confined by.
Cut to seven years ago when I began a new life in the heart of London, a fast paced metropolis brimming with abundance. Life all at once meant so much more than I ever could have imagined and allowed me to break out of the gendered expectations I was born into. Instead of centering my life around them, I was given the opportunity to focus on my academic interests. Only later would I recognise the streak of resilience I inherited from my lineage.
Experiencing this dichotomy of rural and modern, impoverished and privileged, traditional and pluralist as well as the stark differences between Bulgarian and English made me wonder about the extent to which culture and, especially language, predetermines our lives. Through extensive personal research, philosophy class, and the study of languages like Japanese I began to investigate the Whorfian hypothesis of linguistic relativity and discovered a passion for the subject.
For example, regarding sentence structure, the English language’s rigidity is useful for temporal preciseness and providing a clear framework for ideas. However, in Bulgarian, which is independent of Latin origin, the absence of sentence structure forces one to rely heavily on tone or expression as an indicator. I discovered that Turkish and Bulgarian dialects focus on the source of information while Russian underscores whether the event was completed or not. It’s amazing to me how this impacts our perception of justice and the assignment of blame, whether it’s viewed deontologically by cause or teleologically by outcome.
Through these explorations, I realized that originality, autonomy, personality, and preferences--these quintessential aspects of life which we believe to be intrinsic--are in fact predetermined by thousands of years of history. As Etienne de Codillac said “each language expresses the character of the people.” Language is in fact more than a reporting device. It’s a unique cognitive universe where perspective, morality, and even what’s physically possible changes. As a bilingual person, this has invigorated me to challenge my own thinking and begin exploring alternative belief systems and world views I don't necessarily agree with whether in politics, religion, or my ethics A Level class.
As a result of my research so far, I believe that language directs our focus and is built on implicit cultural assumptions. The impact of language is far reaching: in Bulgarian, gender tags can even impact career choices, with occupations like “leader,” “teacher” and “athlete” that all have masculine connotations. Despite these cultural biases, the women in my lineage never submitted to society’s ideals, but became teachers, worked in factories, and promoted the suffragette protests in Bulgaria.
Ultimately, what makes language so meaningful to me is the story it recalls of the “еманципирани жени (emancipirani jeni),” the self-liberated women within my family. An uplifting memory of how they escaped a history of poverty and tribulations, the inner strength that they developed to resist the limitations Bulgarian society placed on them. Generations of empowered women who fought for their daughters’ futures and the selfless drive to give them more than they had; from my great grandmother who was shunned for divorcing her abusive husband, to my grandmother’s fervor for education and my mother who risked her life fleeing Communist Bulgaria. The deep rooted sense of resilience and belonging within the Bulgarian language reminds me that I have a family to represent and an obsolete mentality to prove wrong. The world of opportunity now open to me is my chance to make their sacrifices count and pave the way for other Eastern European women.
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Essay 12 Ayllu A grandmother's kitchen in Peru, told in three titled chapters
I. Hell’s Kitchen
Every summer morning in my mother’s homeland of Peru, I awaken to the smell of chicha morada, a drink made from purple corn and fruits, and freshly made panettone cake. My mouth begins to water. I hear the milkman’s sirens and the roosters crowing on the roof, announcing a brand new day of adventures.
On our way to the open markets to collect the spices for my grandma’s big dinner for our extended family, friends, and friends of friends--everyone is welcome--my grandpa and I pick up some queso helado, a heavenly cinnamon-spiced ice cream, and play some chess, which is our tradition. Back home, we quickly prepare the chiri uchu, a cold chili made with a variety of meats, including guinea pig, and chuno, a potato native to Peru, as appetizers. These are family recipes passed down for generations that represent the duality and union of masculine and feminine in the Inca empire, that our Quechua ancestors descended from. The dishes are especially important for the nine day Inti Raymi festival I attend in Cuzco every year, honoring the sun god Inti through huayno songs, dances, and plays reenacting Inca history.
It is time to start the serious cooking. We have 3 hours to prepare the food for over 50 people, half of whom I have never met. I feel like a chef in Hell's Kitchen, and my grandma is the Gordan Ramsey of it all. How can such a frail, elderly woman be such a beast in the kitchen? Eventually, our hard work pays off as I see the broad smiles that greet each bite.
From cooking with and observing my grandparents, I learn to be open-minded, respectful of others’ opinions and perspectives to create social harmony. Even though it is especially frowned upon, my grandmother models this behavior for me when she invites a man to live at her home after he is kicked out of his family for being gay. I learn to be inclusive to others, which helps me navigate my own bisexuality, and I can empathize with those who are marginalized by mainstream society. In turn, I try to model the equal regard for all people that my grandma demonstrates.
II. Balloon Animals on the Amazon
My father organizes his work to be able to take our family to learn new languages and experience new cultures in over 40 countries including, Brazil, Turkey, and China, where I live for over 8 months and learned Mandarin. This causes me to be much more experimental and adaptable, enjoying the challenge of adventure.
Over 12th grade summer, I join a medical mission team to the Amazon. I work as a translator and doctor's assistant and am in charge of entertaining the children as they wait for treatment. Airline baggage limitations lead me to identify lightweight games: I learn balloon making, drilling to make animal shapes quickly. However, planning is only the beginning. On site, I realize that single-handedly creating hundreds of balloon toys is tough! But I adapt and become very coordinated, efficient and organized in order to serve the community better. Every day, I arrive two hours early to make swords, hats, and butterflies, and the children are entertained for hours, distracted from the treatments that await them.
III. “Ayllu” (Quechua for “Community”)
I’m fortunate to live a life so full of wonder and so steeped not only in my Quechua heritage but also the cultures of countries on four continents. As a result, I enjoy experimenting, I quickly adapt to new environments, and I have strong planning skills that I can use to be of service. By being open-minded, inclusive, and compassionate to others I can help build a community in college where diversity is respected and welcomed, so everyone can experience the excitement of cultural discovery.
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Read these for structure, detail, and honesty, not for topics to borrow. The reason they work is that no one else could have written them.
A Brief Overview of Supplemental Essays
The personal statement introduces character. Supplementals test fit.
Across all of them, three words are the baseline: personal, persuasive, precise. Personal means the essay is about you. Persuasive means you back up every statement with evidence — an example each time you make a claim. Precise means every sentence adds something new. That precision usually arrives on the second or third draft, so don't worry if your first one is looser.
And for every supplemental type below, brainstorm before you draft. Create a master Google Doc for all your essays, with one tab per college, and all the prompts for that college one under the other. Then paste the brainstorming questions under each prompt and answer them fully before writing draft one. It's the single habit that saves the most time. Keep your examples from high school, never bash another school or person, and — where a struggle enters any of these essays — the 25/75 rule still applies.
Why Us
This essay is about academic and community match — not the beautiful campus, not the city, not that a relative attended.
You need specific courses, named professors and their research, particular student organizations, and the school's stated mission. And for each one, why it connects to what you've already done.
Build a bridge each time: here's what college X offers, and here's what I've done that prepares me for that course/research project/specific community activity.
One research tip: use Google rather than the college's internal search engine, which is often poor. Search "biochemistry major Emory University," not the site's own search bar. And confirm you're looking at undergraduate programs — Google will happily send you to graduate pages.
Why This Major
If a college asks both this and Why Us, don't repeat yourself. Major goes here; everything else goes in the Why Us.
A note on capped and impacted majors when you're writing the Why Us or Why This Major essays: at many large publics and selective privates, computer science, business, engineering, psychology, and economics fill up fast and admit at much lower rates. An adjacent major — one that's related but less crowded — can meaningfully improve odds. Penn State, for instance, offers social data analytics as an alternative path near computer science, or enterprise technology integration near business.
Definitely pick a first and second choice for each school you're applying to. Many colleges ask for both. Applying undecided is also fine, but you should still be able to name two to three main areas of interest and show what you have done to explore them, because an essay will likely ask.
Diversity and Inclusion
These prompts are establishing two things: can you work with a wide variety of people in a collaborative, welcoming way, and did you support diversity and inclusion through your actions in high school?
Not every student has led a formal initiative, and that's fine. You may have examples from ordinary interactions — at school, in the summers, with your family, at work, at an internship — where you were respectful and welcoming to people of every background.
Back up any claim with a specific instance. And because these are sensitive issues, be especially mindful of your word choices. Use the respect and care you'd want someone to use when referring to you.
A representative past prompt, from Lehigh University: What would you want to be different in your country or community to respond to issues of inequality, inequity, or injustice?
Each college phrases it a little differently, so answer the exact question in front of you.
Brainstorm first:
- Why is diversity important to you now, in high school, and what have you specifically done to demonstrate it?
- Why is inclusion important to you — and have you or a family member experienced a time of not being included?
- What have you done in high school to show you value inclusion, whether through a formal group or in personal interactions?
- Why will diversity and inclusion matter to you in college?
- From the college's own website, which diversity and inclusion organizations or initiatives would you want to be part of?
Stay positive, always give examples, and if you're adapting this essay across colleges, be sure a school-specific prompt doesn't get a generic answer.
Extracurricular Activity
This is your chance to go deep on the one activity you've given the most time to and that means the most to you. Ideally it's something you'll continue in college, but a high school activity you've concluded works too, as long as the meaning and time investment are real. Depending on the prompt, it can also cover work, a summer internship, or a study program — read carefully.
One rule: don't repeat the Common App essay. If you mentioned the activity there, you can still write about it here, but only if it was a brief mention, and you must come at it from a completely fresh angle with entirely different examples. The essay has to add something new — not restate what's already in your activities list.
A clean past example, from Colorado College: Please briefly elaborate on one of your extracurricular activities or work experience. Direct and open — you shape it.
Brainstorm:
- Why did you pick this activity, and why is it meaningful?
- Describe two or three peak memories of doing it — specific, vivid moments.
- What did you learn as a person, and when did you develop that strength?
- What social skills did you gain, with an example of the moment that taught you?
- What academic or technical skills — the kind you'd list on a resume — did you build, again with a concrete instance?
For a shorter essay, you may need one example that pulls several threads together; for a longer one, you can spread them out.
Community
Here the college wants a diverse freshman class where every student brings a perspective and can work with a wide range of people. Sometimes this overlaps with the diversity essay, so read the prompt closely and answer it directly.
Two keys. First, choose a community that genuinely matters to you and where you have plenty of examples. Second, unless the prompt narrows it, don't limit your definition — a community can be a team, a family, a religious group, a shared-interest group, a repeated summer experience. Then focus on the positive: what you learned from the community, what you contributed to it, and how both will carry into your college community. Be specific and give examples.
A representative past prompt, from the University of Michigan: Everyone belongs to many different communities and groups defined by, among other things, shared geography, religion, ethnicity, income, cuisine, interest, race, ideology, or intellectual heritage. Choose one of the communities to which you belong and describe that community and your place within it. 300 words max. "Your place within it" means specific examples, not a general statement.
Brainstorm:
- Which communities are you part of?
- Of those, which is most important, and why?
- What has this community done for you — what did you learn, what skills or qualities did you develop?
- What have you done for it — what role did you play?
- How have your interactions there changed you?
- What are you taking from it into other situations, including college?
The Wild Card Essays
This is a family of three — current events, short answers, and quirky topics — and all of them are hunting for something fresh about you that the rest of the application hasn't shown.
Current event / social issue. This is about what you've done — in your school or community, and going forward — to address an issue society faces. Have you helped raise funds for people experiencing homelessness? Changed your daily habits to reduce your climate impact? Worked to counter discrimination at your school? (Pick that last one only if you didn't already use it in a diversity essay for the same college.)
It should be an issue you care about enough to have acted on, even in a small way — don't worry if the scale is modest. If the topic is one you or your family have lived, that's legitimate too, but make sure at least three quarters of the essay is about the solutions you've offered, not the problem.
Occasionally a college folds a "why us" into the prompt. The New School, for instance: If you could choose a social issue to impact change, what would you choose? When addressing this prompt, imagine how your studies and experiences at The New School could help you affect change. Angle your answer to hit both.
Brainstorm:
- Is there an issue your family, community, or school has faced, and what have you done about it?
- Or one that matters to you but hasn't touched you personally — how have you contributed, even through Model UN or debate, which build awareness as a real first step?
- What did you learn from trying to improve things, and which strengths did the effort build?
Short answer. These are usually fill-in-the-blanks or sentence completions, and the limit is often measured in characters rather than words — sometimes just 300 characters, a few sentences.
The challenge is to reveal something fresh in almost no space, something that isn't anywhere else in your application.
This University of Maryland past prompt is the classic example, with a run of these capped at 300 characters each: To tell us more about yourself, please complete the following sentences using only the space provided — prompts like "If I could travel anywhere, I would go to…" and "Something you might not know about me is…"
Brainstorm:
- List the parts of your talent stack you haven't used yet for this school.
- Mine your Common App brainstorming document for experiences that fit.
- Don't censor yourself — get everything down before you narrow.
Make each answer unique to you, avoid general statements, and be specific — the shorter the answer, the more precise your word choice has to be.
Quirky. This category invites you to have fun and show the lighter side of your personality. There's no right answer. Be imaginative, don't overthink it, and keep it truly about you, not what you think the college wants to hear. Don't strain to be clever; be personal.
Princeton's past prompt: What song represents the soundtrack of your life at this moment? — in 75 words. Don't just name the song; in very few words, show why it's the soundtrack right now. If they only wanted a title, they'd have given you ten words.
Brainstorm:
- Spark your imagination however works for you — music, a walk, a vision board, twenty minutes of journaling.
- Pick a topic you'd actually enjoy writing about.
- Go straight to draft one.
Where to Find the Essay Prompts (Not Every College Uses the Common App)
The University of California system, Cal State, and MIT among others maintain separate applications with their own prompts, word limits, and deadlines. Rutgers now accepts the Common App for fall first-year applicants (some transfer and other categories still use the Rutgers application — confirm at admissions.rutgers.edu). And Georgetown, long a holdout, begins accepting the Common App in August 2026 for the class entering fall 2027 as a three-year pilot; its own application remains available, with no admissions preference between the two, and its supplements are still required either way.
The UC application in particular opens August 1, with a priority filing window that typically runs October 1 to November 30 — subject to extension, so verify the current cycle at admission.universityofcalifornia.edu. Treat it as a priority window rather than a hard wall, but have everything ready before it opens.
More colleges join the Common App each year, but check school by school.
Other Essays
The Additional Information Section
This section is either ignored or misused, and both are mistakes.
Use it for three things:
An additional essay (up to 300 words). For homeschooled students, gap year students, or anyone whose application still leaves something important unsaid.
Links. A portfolio, personal website, YouTube channel, or LinkedIn page. Check first — some colleges explicitly don't want links. And remember you can personalize this section school by school, since applications are submitted one at a time.
An explanation of grades. If a period of lower grades doesn't reflect your ability — a health issue, a family situation, a school disruption — explain it. Colleges only know what they're told. An unexplained dip on a transcript gets interpreted, usually unfavorably.
The 25/75 rule applies here too. A quarter on what happened. Three quarters on what you did about it and what changed. Keep the tone clear, factual, and forward-looking.
If none of these apply, leaving it blank is fine.
Challenges and Circumstances Essay
This is a chance to explain disruptions in your community or family that impacted your academic performance or participation in extracurricular activities. Topics range from natural disasters like floods to family challenges like divorce or job loss. If you don't have anything to share that truly had an effect on your high school experience, then leaving it blank is fine.
Before You Submit
Read the essay aloud. Then read sentences backward, right to left — spelling errors that the eye glides over in normal reading suddenly stand out.
Generate the application PDF and look at what the reader will actually see. Check spacing between paragraphs. Unbold anything that pasted in bold from a Google Doc.
Then share the PDF with a trusted adult. You may or may not take the feedback — that's your call, and you've earned it after a rigorous process. But a second set of eyes catches omissions and typos.
Save a copy of the final PDF and the payment receipt for every school.
College Essay FAQs
How long should a college essay be? The Common App personal statement is 650 words maximum. Aim to land at or under that — 600 or even 550 is fine. Don't pad to reach the limit.
How do you start writing a college essay? Not with the first sentence. Start by finding your topic and writing a one-sentence elevator pitch that names your actions, the strengths they built, and why they matter. The opening line generally comes much later.
What should you not write about in a college essay? Common sports narratives, injury recovery, the resume in paragraph form, and childhood stories. Mental health struggles, divorce, and learning differences are harder to handle well in 650 words.
When should you start writing college essays? The middle to end of junior year through the summer before senior year. Aim to finish the main essay before senior year begins.
How many drafts does a college essay take? Five, each with a single job: content, structure, cutting, line edits, and polish.
Can you use AI to write a college essay? If you use it at all, use it for brainstorming only. Colleges run detection software and readers watch for prose that doesn't sound like a teenager. The words on the page need to be yours.
Three Questions Worth Asking
As your family works through this, ask yourself:
Does the essay sound like me, or does it sound manufactured?
Is the writing process creating friction at home, or is it turning into something genuinely useful — a chance for you to figure out what you actually value?
Are the supplemental themes aimed at schools where you would truly thrive, or just at the most recognizable names?
That last one matters more than families expect. The research on post-college outcomes points consistently to what students do once they arrive — close mentorship from faculty, independent projects, real engagement with the campus community — rather than the ranking.
You have already accomplished more than enough. You’ve done the hard work. Writing the college essay well has one aim only— to help colleges see it.
Want more support to write your college essays?
We'll work with you from that first blank page through final revisions, helping you find the moments worth writing about, cut what isn't working, and keep your own voice on the page.
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